編按（2019／7／8）：巴西攝影師 Nádia Maria，從年輕接觸攝影後，將自己的感性思維轉變成為一幅幅抽象又華美的攝影作品。
來自巴西的攝影師 Nádia Maria 擅長以充滿實驗性及豐富情感的方式，以攝影傳達埋藏在內心的情緒和想法。Nádia Maria 在小時候就發現自己對攝影的興趣，照相機從此成為她最鍾愛的玩具。在 18 歲時，她真正學習攝影並逐漸在這條路上發光發熱，在 Vogue、National Geographic 上都能看見這些令人驚艷的作品。
Nádia Maria 將她的人生經歷、生活小事都醞釀成攝影的養分，一點一滴的將故事注入每張照片，並結合不同的攝影技巧，這就是她的作品之所以吸引人的原因。
真空（Vaccum）系列，就是傳達了她在懷孕時的空虛和憂鬱，不斷自我建立、又自我解構的過程；而香水（Perfume）系列則是將她生下兒子後，將產後憂鬱的痛苦具體形象化、視覺化的作品。這兩系列完整表述了 Nádia Maria 在作為一個女人，經歷懷孕和生產，探索自我和靈魂的歷程。
另一系列作品時光飛逝（Tempus Fugit, Time Flies），則是 Nádia Maria 在每天生活的城市巴西聖保羅，被引發出的靈感。夜晚街道上的擁嚷和時間一樣，「咻！」地一下就過去了，任何東西都是瞬息而逝。她運用了多重曝光和夜光燈來表現這個意象，對忙碌城市、一閃即逝的瞬間是再適合不過的詮釋。
Nádia Maria 的自我介紹文
我是Nádia Maria，生於 1984 年，是一名住在巴西聖保羅的攝影師，從事攝影已經有十年的時間。
我在七、八歲的時候開始接觸攝影，拍的都是ㄧ些玩偶和玩具，雖然那時照片於我已經形成特殊的連結，但一直到青少年時期，這層連結變得更為強大；相片逐漸成為我記錄生活和人生轉折的一種形式，是專屬於我的日記。
我的作品經常帶著濃厚的情感色彩。睡前獨處的時刻、特殊的景象或日常生活中的小事都能成為我的靈感來源，而這些靈感都是新事物內化的一部分。我拍的照片是將我的情緒外放，是一種釋放，因為攝影就是我表達的方式，有時候是一種療癒，或甚至是不自覺的行為。
有些照片則是在憂鬱、感到空虛的時刻，或持續自我建立、解構的過程中拍攝的。在我兒子 Zion 出生後，憂鬱也隨之而來。有一段時間我只感到自己和外在環境彷佛逐漸融合隱沒，看不見起始點，醫生告訴我那是產後憂鬱症。幾個月後我才了解，這個自我解構和轉變的過程，正是讓我學習怎麼成為一位母親，也或許是因為愛吧，內心逐漸有了身為母親的感情。
有一系列的照片都是表達我在這個狀態下，作為女人，賦予生命（在巴西我們說賦予光亮），並且接受這個轉變的內心。在透過與相機實驗或遊戲的過程中，或者是說面對我自己的試驗和嘗試，這些作品才逐漸產生。希望你們會喜歡我的作品。
原文
Hi, my name is Nádia Maria, born in 1984, I’m a brazilian photographer living in Bauru/São Paulo. I work with photography about 10 years now.
I began photographing when I was a child around 7 or 8 years old, making pictures of my dolls and toys. My relationship with the camera and the images I captures were also born in childhood, but it became stronger in my teenage years, becoming my personal journal of feelings and transformations that I went through in my life.
My work has a great emotional value. Most of the images I captures and creates come from inspired or reflexive moments that can be those just before bedtime, special images or something else from my day-by-day life. It’s part of everything new that absorb within me. My photography is overflow, externalization, a release of all that does not fit. It is a form of expression, sometimes a therapy, an unconscious need flowing…
Some of my works were inspired by the melancholy, the emptiness, the constant deconstruction and reconstruction of ourselves. The time at which the body merges with the environment and no longer knows where begins, where ends each other. This experience is a moment that I lived, a huge melancholy with the birth of my first son, Zion. The post-partum depression.The doctors call it “blue.” It was a phase of deconstruction and transformation, in fact it was a big change that I would only know few months later. Maybe it was love, perhaps the unit. But that’s what made me a mother, and brought the maternal feeling and at the same time universal inside of me. Some series represent this moment of my life as a woman and as a soul, and this mission of “giving birth” (here in Brazil we call it “giving light”) … and then rekindle own light-giving, and receiving the changeto transformation, not having an face, an expression, be part of the other and of the whole. It’s all about experiments, games and involvement with the camera. (with myself).
I would like to show you some of my works, hope you like.
想更了解 Nádia Maria 可以到：Nádia Maria 的 Tumblr
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