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有東方藝術殿堂之稱的臺灣三峽祖師廟，以其華麗的石雕、木雕聞名，一樑一柱都是藝術精華，更率臺灣廟宇之先，捨棄傳統彩繪木門改以銅雕為裝飾，表現出精湛的人文內涵。然而在現代文明的衝擊下，傳統技藝隨著時間流逝，其精湛技術亦隨之失傳，特別是廟宇中的雕飾圖像意涵在社會教育功能頹弱。因此我們反思臺灣廟宇文化價值，將主題聚焦於三峽祖師廟的雕飾藝術，重新整理文獻及圖像分析，提鍊與簡化出淺顯易懂的圖錄書冊，並且結合品牌形象設計，將雕飾圖騰應用於三峽祖師廟形象整合中，使現代人可以重新了解與欣賞雕飾藝術的文化意義與時代美學。

島嶼映記是以台灣地景文學為主題延伸的畢製專題。為了找回人與土地曾經的親密關係，我們蒐集新北、台中、台南三個地區各六篇地景詩。結合地景詩與作家心境，將詩文轉換為插畫，並製作實景影片和動畫，讓大家以文學的角度重新認識台灣。

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In order to retrieve the intimate relationship between people and the land, we collected each six landscape poems in Xinbei, Taichung and Tainan. Combining the scenery with the writer’s state of mind, the poems were converted into illustrations, and reality shooting and animations were produced, allowing people to rethinkTaiwan from a literary perspective.

臉臉聯盟提倡「尊重每個人的不一樣」，專為兒童打造，藉著視覺吸引兒童目光，並以遊戲來讓兒童理解臉部平權。
結合孩子心中英雄形象的原創角色，以及運用英文單字「FACE」為啟發的logo，當中的「F」友善Friendly是愛心的形狀，「E」平權Equality則為翅膀的形狀，代表自由飛翔，成為捍衛臉部平權的英雄。

Utilizes games to help children understand and accept that everyone has different and unique appearances.
We combined the hero image with English word “FACE” to make the characters. In the word, “F” is friendly. It is like the shape of heart, and “E” is equality. It is like the shape of wings, means freedom. Make the characters become heroes to defend Equality.

你是否正視過台灣的工業廢棄物污染？當環保意識抬頭政府與環團鼓吹減塑、淨灘等理念，但卻鮮少看見有關工業廢棄物的宣導與討論。綠色專家喬馬科維（Joel Makower）曾將垃圾分為都會廢棄物、建築與拆除廢棄物、特殊廢棄物、工業廢棄物四類去統計美國的全國垃圾總量，其分別所佔的比例為:2.5%、3.5%、18%、76%，每一磅都會廢棄物都是耗掉至少四十磅工業廢棄物才換來的。是故我們選擇關注一項相對嚴重卻鮮少有人討論的議題，希望透過設計傳達廢棄物「飛灰」（fly ash）、環境（sustainable）與人（human）的三角關係，喚起大眾對於工業廢棄物的關注，唯有當大眾開始討論與重視才會開始有改變的可能。

「USEFAIL」源自於兩個英文單詞 USE 與 FAIL，USE 代表著使用者的概念，而 FAIL 代表著製造能源後所產生的廢棄物，「USEFAIL」同時也是對useful（有用的）這個單字的諷刺。人類總是將目光放在對自己有用的事物，但對於生產過程中所製造的廢棄物卻漠不關心，「USEFAIL攸關你的是！否？」你可以選擇視而不見，或是從現在開始重視這項議題。

視覺上以滲透的概念作為設計的核心，飛灰棄置於土地、魚塭後透過雨水無形中將污染物滲透進入土壤再到地下水層，如同根部般不段地蔓延到我們的生活周遭，選定描圖紙張的半透明特質作為主題「滲透」的概念意象。

Have you ever concern industrial waste pollution in Taiwan? When environmental awareness rose, the government and the regiment advocated the concepts of plastic reduction and clean beach, but people rarely concern the promotion and discussion of industrial waste. Green expert Joel Makower calculates the United States waste by divided the waste into four categories: urban waste, construction and demolition waste, special waste, and industrial waste. Their precipitations are 2.5%, 3.5%, 18%, 76%, each pound of the urban waste consumed in exchange for at least forty pounds of industrial waste. That’s why we choose to focus on a relatively severe issue that is rarely discussed, hoping through design to bring out the triangular relationship between the waste ‘ fly ash ‘, the sustainable and human as well as to arouse public attention to industrial waste. When the public begins to discuss and concern, it will start to change.

“USEFAIL” comes from the English words USE and FAIL. USE refers to user, while FAIL refers to waste produced by the generation of energy. “USEFAIL” is also a play on the word “Useful”. People often interested in creating objects, but not the waste in the process of production. “USEFAIL”-get involved! or somebody will take care of it? “You can choose to ignore it, or you can start taking this issue seriously from now on.

The concept of seeping is the core of the design. The fly ash is abandoned on the grounds and fish farms, and then it seeps into the soil. At the end it polluted groundwater, such phenomenon similar to plant root extend consistently. The feature of seeping and extend also can be seen in the nature of tracing paper. Therefore, we used tracing paper as ‘vector’ of our design.

TRACLE 的命名由來是MUSIC TRACK 和 SOCIAL CIRCLE 組合而成,是一個專為音樂愛好 者而 生的音樂共享平台,我們致力於創造出獨一無二的音樂社群化體驗,藉此增強音樂平台上 的社群互 動率,而不是僅靠演算法來驅動的音樂,是藉由朋友圈裡的音樂動態來發掘更多好音 樂,獨樂樂不如 眾樂,聆聽音樂不再只是聆聽音樂,自由自在地和音樂同好互動分享,創造專 屬的音樂社交圈,讓音樂 成為一種交流方式,盡情享受由音樂共享社群所帶來的各種樂趣。

TRACLE = MUSIC TRACK + SOCIAL CIRCLE Tracle is a music sharing and discovery platform that’s all about sharing your favorite song of the moment — your Tracle — with your friends and followers. Music discovery powered by friends, not algorithms, share your song of the moment and craft your musical identity. We believe that music is much more than just listening— it’s about creating, sharing, discovering, participating, and connecting with people.

金門鄭元和打花草是每年迎城隍的民間戲曲，本設計案從角色人物刻劃到文本敘事，以簡單線條和單純色彩呈現戲曲表演細節之美，運用手翻書和圖文書設計，期盼喚醒人們的正視。

「大溪遊記」是一本AR親子互動立體書，透過AR探索書中的機關與其互動，讓親子一同體驗大溪關聖帝君聖誕慶典的過程，認識大溪的無形文化資產，享受遶境的熱鬧氛圍。

蟲生拼圖，一款結合平面拼圖與立體模型的生物玩具，以昆蟲生態中，築巢（棕頸捲葉象鼻蟲、推糞金龜）避敵（大蝗蟲、魔目夜蛾）擬態（竹節蟲）等生命行為為主題，希望透過平面轉變至立體模型的組裝過程，加上背板的插圖故事，讓大眾更認識這些小鄰居們。

聆聽土地與自我的聲音，探照文化與創作的連結。

逃生方式不停更新，而台灣防災知識缺乏更多的宣導和教育，校園雖然有定期的演習活動，但無法落實到家中，除了在學校上課的時間外，孩子們大多都是在家中，所以不該一味的依靠學校教育，應該將這樣的知識帶入家中，讓家長和孩子也可以一起在家裡學會面對災難。
閱讀繪本內容，配合三款可以重複黏貼的「幫幫貼」貼紙，增加孩子與家人間的互動。

台灣，在世界版圖上一座小小的島嶼，藏著許多寶物，然而島上的人民似乎遺忘了這些甚至開始批判，可我們的島卻依然溫柔的佇立且接納。倘若有天台灣能開口說話，那人們是否也能溫柔相待？

Taiwan is a small island on the world map. But it has many hidden treasures. However, people on this island seem to forget these and even started to criticize.
But our island still stands here softly and receives everything. If Taiwan could speak one day, whether people will treat softly or not.

孕婦手冊是產檢時的必備品，但透過調查發現，準媽媽們對於現行手冊的感受卻是不好用和難閱讀。因此，我們根據調查結果歸納出使用痛點，希望透過改造孕婦手冊提供更好的使用體驗！

融合台灣奧萬大周遭部落傳說，運用pixel元素呈現原住民傳統編織技法，將故事中的神靈結合御守能夠給人護身保平安的安心感，翻轉另類新穎的樣貌，呈現新舊文化的交織。

Use more modern pixel styles to display the traditional weaving techniques of the Aboriginal people, blend the legends of Aboriginal tribes near Aowanda, and combine the gods in the story with the Spiritual gods to give people a sense of security and peace, turning into the patron saints of all races With a new and original appearance, hope the fading aboriginal culture can be seen again.

為了共同目標而發聲
為了自由付出行動
不只是白紙黑字
作為實體
在民主的路上
持續前進
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我們是字遊結社，以社運為主題做字，遊行中多以文字標語表達訴求，且我們覺得集結了各種人，為共同目標而組成遊行，訴說他們的理念就像是筆畫組成字體，為自由意志所發想的新字型。