我們將1930年代的台灣歌曲翻新，呈現四個現代社會議題：勞工壓榨、海洋污染、跨性別者、寵物棄養，這些歌曲原本反映了日治時期高壓統治下人們對社會的不滿，但到了現在這樣自由的年代，這些問題卻依然以不同的對象持續發生，我們想傳達社會的不公存在於每個年代，替這些受到不平等待遇的主角發聲。
我們利用隱形油墨讓專輯能夠呈現白天與黑夜兩個狀態，觀賞者能藉由跟包裝互動以及聆聽音樂的過程中了解這些議題。
『那個年代 It happens in every generation』一款利用隱形油墨表現四個議題的互動專輯包裝設計！
我們將1930年代的台灣歌曲翻新，呈現四個現代社會議題：勞工壓榨、海洋污染、跨性別者、寵物棄養，這些歌曲原本反映了日治時期高壓統治下人們對社會的不滿，但到了現在這樣自由的年代，這些問題卻依然以不同的對象持續發生，我們想傳達社會的不公存在於每個年代，替這些受到不平等待遇的主角發聲。
我們利用隱形油墨讓專輯能夠呈現兩個狀態，白天呈現違背現實的和平幻想，夜晚則需透過紫光燈顯現被漠視的殘酷現實！觀賞者能藉由跟包裝互動以及聆聽音樂的過程中了解這些議題。
We renew the 1930s' songs of Taiwan, presenting four social issues: Exploitation of labor, Transgender, Marine pollution, Abandoned pets. These songs originally reflected people's anger towards Japan's coercive rule. Yet, even now, the injustices still haunt societies in different forms. We want to voice for those who suffer from injustice to bring justice back.
The album is designed with invisible ink to show two different settings.
Day: the imaginary dream against reality.
Night: the ignored and unbearable truth that is told in black light.
Viewers can understand these issues by interacting with the album and listening to its music.
我們利用隱形油墨讓專輯能夠呈現兩個狀態，白天呈現違背現實的和平幻想，夜晚則需透過紫光燈顯現被漠視的殘酷現實！觀賞者能藉由跟包裝互動以及聆聽音樂的過程中了解這些議題。
We renew the 1930s' songs of Taiwan, presenting four social issues: Exploitation of labor, Transgender, Marine pollution, Abandoned pets. These songs originally reflected people's anger towards Japan's coercive rule. Yet, even now, the injustices still haunt societies in different forms. We want to voice for those who suffer from injustice to bring justice back.
The album is designed with invisible ink to show two different settings.
Day: the imaginary dream against reality.
Night: the ignored and unbearable truth that is told in black light.
Viewers can understand these issues by interacting with the album and listening to its music.
Designer
國立雲林科技大學 / 視覺傳達設計系
