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  • 動物弒界Endangered

    近來環保意識抬頭,限塑政策開始嚴格實施,更有許多動保團體積極於淨灘、宣傳等環保意識活動,環境迫害中,對於動物的危害佔了一大部分。所以我想以遊戲的方式來闡述人類不知不覺中對於動物的種種危害,並讓人類反思自己的所作所為。
    當動物擁有與人類相仿的自我意識時,我們將受到什麼回饋? 是聚集起來反抗人類爭取地盤? 或者躲在不見天日的地方孤獨求生呢?

  • 此路不羞

    以女性一生中與生活密不可分,且經常被忽視的生理期為主軸,再以一般女性在面對生理期的 反應做切入。告訴大家生理期有多麼重要!又是如何伴隨在我們的生活中呢?

    Taking female menstruation as my topic that is often inseparable and overlooked in a girl’s life. From the reaction of a general female facing menstruation as the point of view.
    Then tell everyone how important the menstruation is!
    How is it accompanied in our lives?

  • 地景世界

    樸質鄉村,是我生長環境背景下的寫照,在這樣的成長環境裡,有些人會認為一日複一日的景象是單調無趣的,對我而言,看似相同的景色卻有不同的細節。我沈迷、享受著樸實的鄉村生活。整片純粹的綠色和藍色構成我的視野,加上簡單的色塊點綴產生其中的互動性。看似乏味的日子,充滿著美的感受。
    生處在都市中,這與我想像有著極大的差距,視線因龐大量體的建築物而不再開闊。居住環境的改變不只帶來感官上的差異,其中壓抑感 更伴隨而生。許多層次、空間、高樓、縫隙交織在一起,傳來的不再是蟬鳴而是引擎、喇吧的吵雜聲。隨著城市不斷發展被迫地與這社會同步冷漠疏離、競爭無情、壓力苦悶,這些字眼在我腦海裡不斷地閃過,對我而言心中著實的感受到與這城市疏離,然而這些卻是在『城市』的每個人。為了生活環境下習慣這些事物,以至於不和這個空間失去連結性。

  • 檸檬厝 Lemonegar

    現今外食族群眾多,導致罹病率增加,故人們對於健康意識逐漸抬頭,提倡健康飲食。
    藉由自家手工釀達到最純最原始的健康食品-檸檬醋,對於一些不敢吃酸的人,該如何透過健康及自家釀能有多變化的概念來吸引怕酸的族群也能嘗試購買?

    Nowadays, there is a lot of fast-food junkies. Eating outside often increase the risk of illness. Therefore people are aware of health-conscious and promote a healthy diet.
    The purest and most original healthy food, lemon vinegar is produced by my family. For those who can’t accept sour, we can attract them by healthy and varied homemade lemon vinegar.

  • 畫語花

    一次又一次的旅行,怎樣才能算是真正認識這座城市。
    台灣的每一個城市除了有許多代表性的地標外,
    更有許多你從未發現的當地特色及文化。
    以日常生活中的報章刊物為發想,讓城市更貼近我們。
    希望透過此專刊帶領你一起認識台灣各地區的人文,
    讓你看完更能了解每一座城市的逗趣和內在美,
    更深入的感受其內涵、情感和溫度。
    What is the defination of knowing a city?
    In addition to many representative landmarks in every city in Taiwan,
    there are still many local features and cultures you have never discovered.
    To make cities closer to us, this project was conceived and developed with newspapers and periodicals in
    our daily life.
    I hope this special issue can lead you to know more about the humanities all over Taiwan. After reading it, you will comprehend the funny stories and inner beauty of the cities, and deeply experience the content, emotions, and temperature of Taiwan.

  • Scout

    故事發生在來自美國鄉村小鎮的兩個小女童子軍互相競爭買賣餅乾,最後螞蟻得利,以此故事表達鷸蚌相爭漁翁得利的寓意。

    The story is a story of two little girl scouts from an American country town competing to sell biscuits, and finally the ants benefit.

    “While two dogs are fighting for a bone, a third runs away with it." is the subject of this animation.
    _____________________________________________

    導演 Director :陳俞靜 (Jessie)
    劇本 Script:陳俞靜(Jessie)
    影像統籌 Art Coordinator: 陳俞靜(Jessie)
    3D視覺設計 3D Visual Design:陳俞靜(Jessie)
    動畫導演 Animation Director:陳俞靜(Jessie)

    視覺設計 Visual Design: 陳俞靜(Jessie)
    場景設計 Scene Design: 陳俞靜(Jessie)
    角色設計 Character Design: 陳俞靜(Jessie)
    骨架綁定 Rigging: 陳俞靜(Jessie)
    貼圖製作 UV map : 陳俞靜(Jessie)
    建立模型 Modeling: 陳俞靜(Jessie)
    打光 Lighting: 陳俞靜(Jessie)
    合成 Compositing: 陳俞靜(Jessie)
    特效 Special FX: 陳俞靜(Jessie)

    特別感謝 Special Thanks :

    Audio Library 音樂庫
    ZapSplat Sound Effects

  • 23.5°N+ 寶島果怪

    「台灣的經典,由水果說起,水果的故事,由我們提起。」
    全球化與物質過剩的背景,生活逐步被便利取代,「瞎吃」產生浪費。
    食育開始受到重視,從安心吃、健康吃,延伸到「如何吃」,這樣的思考演變開始對消費、文化、環境等思維行動產生多層面的影響;吃東西除了口腹之慾外其實還蘊含著許多深層的意涵。
    因此我們以「23.5°N+」 為企劃名稱,從有許多珍貴物產的台灣出發,並由「水果」開頭,希望透過有趣的圖文插畫,以水果小冊,傳遞食農知識,以帶動友善、永續的食農為目標。

    「Taiwan’s classics, started by fruit. The story of the fruit, brought up by us.」
    In the context of globalization and material surplus, life is gradually being replaced by convenience. “Mindless Eating" causes waste.
    In recent years, the concept of food education prevails from eating at ease and healthy to “How to Eat”. This evolution begins to have a multidimensional impact on thinking actions such as consumption, culture and the environment. In addition to the desire to eat, there are many deep meanings.
    We’re named”23.5°N+".Taiwan a land flowing with milk and honey so we started with “Taiwan Fruit". The purpose is to express friendly and sustainable food and farming education by a useful and interesting book.

  • 一個微笑

    現代生活中, 因為忙碌的生活步調,導致人們漸漸疏遠了他人,不知道如何與他人相處,這時只要「一個微笑」,就能輕鬆拉近你我之間的距離,將溫暖傳遞給更多的人,用繪本將此概念傳達給他人。

  • 云云Clouding

    在同溫層的溫暖下常選擇性地去忽略,總在事發後才發現自己不是全然的正確,在這樣的社會下,我們自己位於何處?
    四人以同樣主題,分四部不同劇情和觀點的影片製作。描繪作品手法皆不相同,藉由水平式觀點切入,以此豐富「同溫層」的完整性,並展現每個同溫層裡都是截然不同的。

    ——————–

    Living inside echo chambers, people nowadays tend to ignore opinions they don’t agree with, at last turn out to realize they weren’t totally correct. Therefore, we started to consider about our position while we all feel lost in this society.
    Under the same theme, four of us made the videos individually with our own viewpoints. This makes our videos involve multiple and diverse perspectives, showing the value we try to present via this project.

  • B農舖 UGLY VEGETABLE SHOP

    以改善農民困境與資源有效利用為目標,我們針對農民生產之物,進行分析並針對產品進行篩選(次級商品),建立起金流服務的平台,使資源共享,更寄盼著永續發展的普世價值能有更多人重視。

    To improve farmers’ dilemma and the effective use of resources, we analyze and screen the products produced by farmers (sub-commodities), and establish a platform for cash flow services to share resources and look forward to sustainable development. We hope people would pay more attention on this universal value.

  • Hello Mr. Danger

    結合情境劇與科普動畫來介紹蛇、蝙蝠、蜘蛛這三種台灣較常見、且容易被誤解的生物,讓大眾了解到所謂的「危險動物」並不像我們所想的危險,在生活中遇到時,能有正確的心態面對那些生物,減少彼此的傷害。

    The animations combine drama with popular science to introduce snakes, bats, and spiders which are common but misunderstanding in Taiwan. It gets the public to understand “dangerous animals” are not as dangerous as they think. At the same time, we can have the right attitude to face those creatures and reduce the damage to each other.

  • 森森喚

    以台灣山林生態保育為出發點,藉由繪製猛禽圖像,並將其自身所面臨的棲地屬性、食物、人為互動等融入身體裡做較為細膩的繪製來讓觀賞者慢慢發現作品中每隻猛禽的生存背景,藉以傳遞猛禽的生態保育。在作品中,我捨棄為他們畫上雙腳、樹梢,來表達生態環境裡淺藏的危機,足以造成他們沒有一個真正安全停靠的所在,為此我以「森森喚」為題,誠摯地邀請您,一起來聽一場來自森林的呼喚,也是猛禽內心深處「聲聲的呼喚」。

    Based on the point of ecological conservation of mountain forest, I made raptors of Taiwan as main characters by drawing their habitats, food and human interaction inside their body. Let viewers discover each survival background of them and spread the opinion of protecting the raptors of Taiwan. In my works, I give up drawing their feet and branches to express there are still crises hidden in the ecological environment, which are enough to cause them having unsafe places to stay. For this reason, I sincerely invite you to look at my work “The call of the forest”, which also has the meaning of the calling deep inside the raptors.

  • 鳥穿蓮 Pirece Lotus

    那些我們習以為常、烙印在骨隨中,連自己都無法察覺的性別歧視,若以誇張形式再現,我們是否得以扭轉它 ?遊戲玩家將透過不同的門開啟不同時空,並扮演主角,以身歷其境的方式,試圖深扒隱藏在各個時空背景下的種種枷鎖與偏見。
    The sex discrimination that we are accustomed to andimprinted in the bones, even without being aware ofourselves. Can we reverse it if it is reproduced in anexaggerated form?

  • 《介系詞PREP》– 高師大視覺設計學系 109級畢業展主視覺

    ✦ 策展導讀 Introduction

    一場串連效應的設計行為策展
    何謂設計?聯繫群眾、串連社會,抑或⋯⋯?我們是一群正在摸索設計的青年,以平面視覺、動態影像、企劃設計等跨領域創作為基底,叩問我們對當代設計的想像,在展覽中探尋此時代所需、並試圖運用設計影響這個時代。

    CURATION, PUTTING A SERIES OF EFFECTS INTO PRACTICE
    What is design? to contact masses, to connect society, or… We are a group of youth who are exploring design on the base of the graphic visual, dynamic image, proposal design and other cross-domain creation. Exploring needs and trying to influence this era by design is how we imagine contemporary design.

    「設計」的功能正與「介系詞」相仿
    事物經由設計之拋光後得以獲得明晰的輪廓,明晰的輪廓易於理解,易於理解始能廣獲傳播,最終得以串連起人與人、人與社會、乃至社會與社會,而我們認為這場展覽正為效應觸發的原點。

    THE FEATURE OF “DESIGN" IS JUST LIKE PREPOSITIONS
    After being designed, things can be easier to understand, and this does help us communicate with others. We can connect people to people, people to society, furthermore society to society by design.

  • 台島特有種 MADE IN TAIWAN

    我們將台灣特有的社會現象比擬為生物,以生物檔案的手法由淺入深、化繁為簡地介紹現象的成因與對社會的影響。

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